英语专业外文翻译---巴洛克与洛可可-英语语言(编辑修改稿)

英语专业外文翻译---巴洛克与洛可可-英语语言(编辑修改稿)内容摘要：

terior porch,served as a dramatic stage for the coffered dome was painted in false perspective to create the impression of a deeper,higher in relaxed positions, appeared to float above the windows in heavenly used sunlight to blur the distinction between illusion and reality in an attempt to create a dramatic stage for the religious experience. The exterior was dominated by heavy scrolls,which helped support the dome,and by the porch which echoed the halfoval chapel halfoval walls on either side of the entrance curved out to wele the approaching gesture was similar to Bernini’s Colonnade at ’S but on a much smaller concave curve of the wall was contrasted by the convex curve of the entrance the portico,Bernin designed an extremely overscaled temple exterior bined many of the classical forms–central entrance,arch,pediment,column ordersexcept now these elements were bined almost as sculpture in a confusion of scal e and classical nightmare to some to others creative genius. Trevi Fountain,Rome,1732,architect:Salvi The Trevi Fountain was an extraordinary late Baroque bination of architecture and fountain. It reused the ancient Roman triumphal arch which was set into the fa?ade of a small palace and defined by a giant order of Corinthian pilasters and classical forms were energized by the illusion of stonecut to look like layers of natural magical feat was energized by the illusion of stone0cut to look like layers of natural magical feat was only made possible by the new technology of hydraulic engineering which powered the fountain., waterfalls and in size,the Trevi Fountain was an extravagant Baroque fusion of architecture,sculpture,light and the sound of moving an architecture for the senses as one could see,hear,touch,smell and even taste the water if truly thirsty. Versailles,France,16701720,architects:Mansart and Le Brun Around 1670,King Louis XIV(14th)decided to turn a royal hunting lodge,a few miles outside of Paris in Versailles,into a great army of architects,sculptors,painters and landscape architects were brought together to create the greatest monument of the French Baroque/ was a symbol of human power and order over the fragility and disorder of nature. Of the hundreds of rooms within the palace,the most famous was the Galerie des glaces or Hall of Mirrors which overlooked the park from the second floor and extended along most of the width of the central enormous size was heightened by hundreds of mirrors,set into the wall opposite the windows which created the illusion of greater mirror,the ultimate source of illusion,was a favorite element of Baroque interior design. The enormous palace would have appeared unbearable had it not been for its setting in a vast parklike park,designed by Andre Le Notre,transformed and entire forest in to a collection of axially arranged gardens,vistas and paths(allees).The gardens created a gradual transition from formal architecture to wild formal gardens near the palace were tightly designed geometric units but farther away from the palace the design loosened as tree screens or framed views of the distant photograph can describe the experience of the design as the park can only be experienced by walking through though the garden was designed by man,the art of the landscape was purely natural as the garden changed with each hour of the day,the season and the light at that moment. Bishop’sResidence,Wurzburg,1720 1744,architect:Neumann Among the most famous German architects of the Rococo era was Johann Balthasar Neumann. It was in the south of Germany that German Baroque and Rococo reached its illusionism,the bining of painting,sculpture and architecture,was used to expres r。