英文献翻译及原文---将心灵创伤转化成旅游：萨拉热窝和乌科瓦尔的“战争之旅”(编辑修改稿)

英文献翻译及原文---将心灵创伤转化成旅游：萨拉热窝和乌科瓦尔的“战争之旅”(编辑修改稿)内容摘要：

ion and the stigmata of war, the rehabilitation and the touristification of those traumas capes raise a number of questions in terms of interpretation and representation of a collective trauma, but also regarding economic and territorial development, or even in terms of reconciliation and social cohesion: Why are some sites rehabilitated and others not? Can tourism foster reconciliation between divided munities? Can tourism be a vector of expression for silent voices? Or on the opposite side, could the touristification of traumatic elements aim to serve the powers in place? Finally, while situating a trauma like war in an industry close to leisure, don’t we risk disconnecting it from its traumatic history? The criteria which Name and Surname of Author(s) determined the choice of the case studies will first be presented. Second, an analysis of those “war tours” will be undertaken and the sites exposed to tourists through this experience will be put in light. Sarajevo in Bosnia Herzegovina and Vacuolar in the Croat region of Slovenia were chosen as case studies. The principal criteria which determine this choice can be summarized as the following: first those two places lived through a traumatic siege2 during the war and this has great implications in the interpretation of the conflict, since the two parties did not 第 3 页 have the same means of fighting at their disposal. Secondly those two cities are totally divided, in an institutional way in Sarajevosince the division of Bosnia Herzegovina in two distinct entities: The Federation of Bosnia Herzegovina and the Serbian Republic – and in a more informal manner in Vacuolar where Serbian and Croatian munities are totally segregated. This social and politic fracture is at the heart of the freezing of numerous projects, linked or not to tourism and conservation. Thirdly those two cities acknowledged an international Notoriety through Medias such as CNN or Euro news and also due to cinematographic produ。