parttwotheenglishrenaissanceⅰmatchthewriterandhis(编辑修改稿)

parttwotheenglishrenaissanceⅰmatchthewriterandhis(编辑修改稿)内容摘要：

e of the English Renaissance, which emphasized the capacities of ____and the achievements of ____. 24. ____ Stanza is a verse form created by _____ for his poem, ______, in which the rhyme scheme is ____. 25. The Wars of the Roses (1455—1485) between the House of ___ and the House of ___ struggling for the Crown continued for 30 years. 26. Because of the conflict between the Roman Catholic Church and the King of England, the farreaching movement of ___ took place in England, started by Henry VIII. 27. After ___ in England, the helpless, dispossessed peasants, being pelled to work at a low wage, became hired laborers for the merchants. These laborers were the fathers of modern English ___. 28. The introduction of ___ to England by William Caxton (1476) brought classical works within reach of the mon multitude. 29. The 16th century in England was a period of the breaking up ____of relations and the establishing of the foundations of ____. 30. Because the wool trade was rapidly growing in bulk, it was a time when, according to Thomas More, “___”. 31. ____ broke off with the Pope, dissolved all the monasteries and abbeys in the country, confiscated their lands and proclaimed himself head of the Church of England. 32. Together with the development of bourgeois relationships and formation of the English national state this period is marked by a flourishing of national culture known as ____. 33. ____, in his translation of Virgil’s Aeneid, wrote the first English blank verse. 34. Richard Tottel’s Miscellany of Songs and Sons contained _____ poems by ______ and _____ by _____. 35. Philip Sidney thought that _____ had superiority over philosophy and history. 36. _____ is a picture of contemporary England with forcible exposure of the ___ among the laboring classes. 37. More points out that the root of poverty is the ____ _____ of social wealth. 38. Sons contain _____ sons and ____ sons. 39. The highest glory of the English Renaissance was unquestionably its ____. 40. The “miracles” were simple plays based on ______stories. 41. There are significant touches of _____ life in the play titled The Shepherds. 42. A morality play presented the _____ of good and _____ with _____personages. 43. Vice was the predecessor of the modern _____. 44. Through the revival of classical literature, English playwrights came into contact with ______ and ______drama. 45. From the contact with Greek and Latin drama, English playwrights learned all the important rules in ____ and ____, the more exact conception of ____ and ____. 46. English edies and tragedies on classical models appeared in the middle of the ____ century. 47. The first English edy is ______. 48. The first English tragedy is _____. 49. Miracle plays, morality plays, interludes and classical plays paved the way for the flourishing of ____. 50. In the 16th century _____ became the centre of English drama. 51. By ____, professional actors were anized into panies. 52. ____ were wooden buildings, usually circular in form, with tiers（一排排） of galleries surrounding a roofless pit（楼下剧场） . 53. In the Elizabethan Theater, there were no ____ and women’s parts were always taken by ____. 54. Shakespeare’s narrative poem, Venus and Adonis, is full of vivid images of the ______, and aphorisms (格言、警句 ) on life. 55. Shakespeare was a gre。