置业顾问专业培训(编辑修改稿)

置业顾问专业培训(编辑修改稿)内容摘要：

y wit h t he nat ur al hue of t he val e and bound cl osel y t o t hi s worl d of si m pli cit y and secl usi on, experi enced her own deli ght and happi ness t hough her fami ly was poor. I t was, t o som e ext ent , her depar t ur e fr om her nat i ve pl ace t hat l ed t o her t ragedy. I n The Ret urn of t he Nat ive, t he atm ospher e of Egdon Heat h pr evail s over t he whol e book。 as an envi r onm ent, i t absor bs som e and r epels ot her s of the char act ers: those who are absor bed achi eve a som ber i nt egr at i on wit h it , but t hose who ar e r epel ed and r ebel suff er di saster. Som eti mes an environment serves as m ore than a m ere pl ace to set t he st ory. Oft en, i t is i next ri cabl y ent angl ed wit h t he pr otagoni st , and even car ies str ong sym boli c m eanings. Cat hy as an i mage of t he f em i ni ne per sonali ty, f or exam pl e, i n Em il y Br ont e’s Wut hering Hei ght s, i s not supposed t o possess t he “wi l dernes” char act er i sti c of mascul init y and sym bol i zed by t he local es of Heat hcl if f and Wut heri ng H ei ght s. I n som e f icti on, set ing i s cl osel y bound wit h t heme. I n The Scarlet Let er , even smal det ail s af or d power f ul hi nt s at t he theme of t he st or y. At the start of t he st ory, the nar at or descri bes a col oni al j ail house: Bef or e t hi s ugl y edif i ce, and bet ween i t and t he wheel tr ack of t he str eet, was a gr as pl ot, m uch over gr own wit h bur dock, pi gweed, appl e peru, and such unsi ght l y veget ati on, whi ch evident l y found som et hi ng congeni al i n t he soil t hat had so ear l y bor ne t he bl ack f l ower of civil ized soci et y, a pr i son. But , on one si de of the port al , and r oot ed alm ost at t he t hreshol d, was a wil d r osebush, cover ed, i n t his m ont h of June, wit h it s deli cat e gem s, whi ch m i ght be im agi ned t o of fer t heir f r agr ance and fr agi l e beauty t o t he pr i soner as he went i n, and t o the condem ned cri mi nal as he cam e f or t h t o hi s doom, i n t oken t hat t he deep hear t of Nat ur e coul d pi t y and be ki nd t o hi m. Apparentl y, t he aut hor m akes a cont r ast bet ween t he ugl y jail house wi th a t angl ed grass plot over grown wit h burdock and pi gweed and somet hi ng as beauti f ul as a wi ld r ose. As t he st ory unf ol ds, he wi l f urt her suggest that secret si n and a pr et t y chil d m ay go toget her l i ke a pi gweed and wil d r oses. I n t hi s art full y cr af ted novel , set i ng i s i nt im at el y bl ended wi th character s, sym bol ism, and t heme. I n addit i on t o pl ace, set i ng m ay cr uci al y i nvol ve t he ti me of t he st ory—cent ur y, year, or even speci fi c hour . It m ay m at t er gr eatl y t hat a st or y t akes places i n t he m or ni ng or at noon. The m edi eval backgr ound i nf orm s us di f erentl y f rom the t went i et h cent ur y. Kennedy and Gi oi a note t hat i n The Scarl et Let ter, t he ni eenth cent ur y aut hor Nat hani el Hawthr one, uti li zes a l ong intr oduct ion and a vi vi d descr i pti on of t he scene at a pr ison door t o i nform us t hat t he events i n t he st ory t ook place i n the Puri t an m uni ty of Bost on of t he ear li er sevent eent h cent ur y. Thi s set ti ng, t o whi ch Hawthor ne pays so much at ent ion, together wit h our schem ata concer ning Puri t an pr act ice, hel ps us underst and what happens i n the novel . We can under stand t o som e ext ent t he agi tati on i n the t own when a wom an is accus ed of adul ter y, f or adult er y was a fl agr ant defi ance of church f or t he Godf ear i ng New Engl and Puri t an m uni ty, and an il legiti m ate chi l d was evi dence of si n. Wit hout i nf orm ati on about t he sevent eent h cent ur y Pur it an background, a reader t oday m ay be per pl exed at t he novel. The f act t hat t he st or y in Hawt horne’s novel t ook place i n a tim e r em ote f r om our own l eads us t o expect di f e rent at ti tudes and customs of t he char act er s, i s str ongl y suggest i ve of t he whol e soci ety, which i s crucial t o an essent ial under st andi ng of The Scarlet Let er as a whol e. Besi des pl ace and ti me, set i ng m ay also i ncl ude t he weat her, whi ch, i ndeed, m ay be cr ucial i n som e st or i es. 2. Local col or writ i ng / regi onali sm and t he wri ter, a regi onal writ er. When set ing domi nat es, or when a piece of fi ct i on i s wr it en l ar gel y t o present t he m anner s and cust oms of a l ocali ty, t he writ i ng i s oft en cal l ed l ocal col or wri ti ng or r egi onali sm and t he wri ter, a r egi onal wr it er. A r egi onal wr it er usual y set s hi s/her st ori es i n one geogr aphi c area and tr ies t o bri ng it ali ve t o r eader s ever ywher e. Thomas Har dy, i n hi s port rayal of l if e i n Wessex, wr ot e regi onal novels. Ar nol d Ben t’s novels of t he “Fi ve Towns” ar e mar kedl y r egional . Wi l li am Faul kner , known as a di sti ngui shed r egi onal wri t er , al most al ways set hi s novel s and st ori es i n hi s nati ve Mi ssi si ppi. 3. The set i ng of a novel is not al ways drawn f rom a real li fe l ocal e. The seti ng of a novel i s not al ways dr awn fr om a real li fe l ocal e. Li ter ar y art ists someti mes pr ef er t o cr eate t he t ot al it y of t heir f icti on—t he set ti ng as wel l as char act er s and t hei r act i ons. …… The cr eati on of set ti ng can be a m agi cal f icti onal gi ft i n a noveli st or st or ytel er . But what ever t he set i ng of hi s/ her wor k, a tr ue noveli st i s concer ned wi t h m aki ng an e nvi r onment cr edibl e for his/ her characters and t hei r act ions and in accor d wi t h the devel opm ent of t he pl ot . I n som e st or i es, a wr it er seem s to draw a set t i ng m ai nly t o evoke atm osphere. In such a stor y, set ing star ts us f el ing whatever the stor yt el e。