成都屠宰场、肉食品加工项目报告书_屠宰(编辑修改稿)

成都屠宰场、肉食品加工项目报告书_屠宰(编辑修改稿)内容摘要：

g our space citi zens. No m ore typi sts worki ng on a typewri ter or puter! No m ore postage or postcodes! Messages can now be sent usi ng a “thoughtpad”. You pl ace the m etal band over your head, cl ear your mi nd, pres the sendi ng button, think your m essage and the next i nstant it‟s sent. It‟s stored on the “thoughtpad” of the recei ver. It‟s qui ck, efi ci ent and environm ental l y fri endl y. The onl y lim i tati on i s i f the user does not thi nk his or her m essage cl earl y, an uncl ear m essage may be sent. But we cannot bl am e the tol s for the faul ts of the user, can we? Duri ng the explanati on I looked at the pai r of sm al objects cal l ed “thoughjtpads” on a tabl e. They just l ooked li ke m etal ri bbons. So ordi nary but so powerful! Whil e I was observi ng them , the path moved us on. G: And now l adi es and gentlem en, we are in the “envi ronment area”. Peopl e used to col l ect waste i n dustbins. Then the rubbi sh was sent to be buri ed or burned, am I ri ght?(We nodded. ) Wel, now there‟s a system where the waste i s di sposed of usi ng the pri nci pl es of ecol ogy. A gi ant m achi ne, al ways greedy for m ore, swal lows al l the waste avai l abl e. The rubbi sh i s turned into several grades of useful m ateri al , such as “fertil i zer” for the fi el ds and “soul ” for deserts. N othi ng is wasted, and everythi ng, even pl asti c bags, i s recycl ed. A great i dea, i sn‟t i t? I stared at the m ovi ng m odel of the waste m achi ne, absorbed by i ts effi ciency. But agai n we m oved on. G: O ur third stop shows the changes that have happened to work practi ces. Manufacturi ng no l onger takes pl ace on the earth but on space stati ons li ke thi s one. A group of engineers programm er robots to perform tasks i n space. The robots produce goods such as drugs, cl othes, furni ture, hoveri ng carri ages, etc. There i s no waste, no pol l uti on and no envi ronmental dam age! H owever, the panies have to trai n thei r representati ves to l ive and work in space settlem ents. They have to m oni tor the robots and the producti on. When the goods are ready they‟re transported by i ndustrial spaceshi p back to earth. My mi nd began to wander. What job woul d I do? My m oti vati on i ncreased as I thought of the wonderful worl d of the future. Uni t 4 MY FIRST WORK ASSIGNMENT “unfetabl e”, says new journali st N ever wi l Zhou Yang (ZY) fet hi s fi rst assignment at the ofi ce of a popul ar Engl ish newspaper. H is di scusi on wi th hi s new boss, H u Xi n (H X), was to strongl y i nfl uence hi s l i fe as a journali st. H X: Wel e. We‟re deli ghted you‟re i ng to work wi th us. Your fi rst job here wi l be an assi stant journal i st. Do you have any questions? ZY: Can I go out on a story im medi atel y? H X: (l aughi ng)That‟s admi rabl e, but I‟m afrai d it woul d be unusual! Wait til l you‟re m ore experi enced. First we‟l l put you as an assistant to an experi enced journali st. Later you can cover a story and subm it the arti cl e yoursel f. ZY: Wonderful . What do I need to take with m e? I al ready have a notebook and cam era. H X: N o need for a cam era. You‟l l have a professi onal photographer with you to take photographs. You‟l l fi nd your col l eagues very eager to assi st you, so you m ay be abl e to concentrate on photography l ater if you „re i nterested. ZY: Thank you. N ot onl y am I i nterested i n photography, but I took an am ateur course at universi ty to update m y ski l s. H X: Good. ZY: What do I need to rem em ber when I go out to cover a story? H X: You need to be curi ous. O nl y i f you ask m any di fferent questi ons wi l you acqui re al the inform ati on you need to know. We say a good journali st must have a good “nose” for a story. That m eans you must be abl e to assess when peopl e are not tel li ng the whol e truth and then try to di scover i t. They m ust use research to i nform them selves of the m i si ng parts of the story. ZY: What shoul d I keep i n m i nd? H X: H ere es m y l ist of dos and don‟ts: don‟t mi ss your deadl i ne, don‟t be rude, don‟t tal k too m uch, but m ake sure you l i sten to the i ntervi ewee careful ly. ZY: Why i s li steni ng so im portant? H X: Wel l, you have to l i sten for detail ed facts. Meanwhi l e you have to prepare the next questi on dependi ng on what the person says. ZY: But how can I li sten careful y whil e taki ng notes? H X: Thi s i s a tri ck of the trade. If the i nterviewee agrees, you can use a recorder to get the facts strai ght. It‟s al so useful i f a person wants to chal l enge you. You have the evi dence to support your story. ZY: I see! H ave you ever had a case where someone accused your journal i sts of geti ng the wrong end of the sti ck? H X: Yes, but i t was a l ong tim e ago. Thi s i s how the story goes. A footbal l er was accused of taki ng m oney for deli beratel y not scori ng goals so as to l et the other team wi n. We went to intervi ew hi m. H e deni ed taki ng m oney but we were skepti cal. So we aranged an i ntervi ew between the footbal ler and the m an supposed to bri be hi m. When we saw them together we guessed from the footbal l er‟s body l anguage that he was not tel li ng the truth. So we wrote an arti cl e suggesti ng he was guil ty. It was a di l emm a because the footbal er coul d have dem anded damages i f we were wrong. H e tri ed to stop us publi shi ng i t but l ater we were proved ri ght. ZY: Wow! That was a real “scop”. I‟m l ooki ng forward to m y first assi gnm ent now. Perhaps I‟l l get a scoop too! H X: Perhaps you wil l. You never know. GETTING TH E “SCOOP” “qui ck, ” sai d the edi tor. “Get that story ready. We need i t i n this edi ti on to be ahead of the other newspapers. Thi s is a scoop. ” Zou Yang had just e back into the offi ce after an i ntervi ew wi th a fam ous fi lm star. “Di d he real y do that?” asked。