苏教版六年级数学下册全册教案20xx01(编辑修改稿)

苏教版六年级数学下册全册教案20xx01(编辑修改稿)内容摘要：

At fi rst, m any people di sli ked this styl e of pai nting and becam e very angry about i t. They sai d that the pai nters were carel ess and their pai nti ngs were ri di cul ous. Modern Art (20th century to today) At the ti m e they were created, the Impressi onist pai nti ngs were controversi al , but today they are accepted as the begi nni ng of what we cal l “modern art”. This i s because the Impressi oni sts encouraged arti sts to l ook at thei r envi ronm ent i n new ways. There are scores of m odern art styl es, but wi thout the Im pressi oni sts, m any of these pai nti ng styles m ight not exi st. O n the one hand, som e m odern art i s abstract。 that i s, the painter does not attem pt to paint objects as we se them wi th our eyes, but i nstead concentrates on certain quali ti es of the object, usi ng col or, li ne and shape to represent them. O n the other hand, som e pai nti ngs of m odern art are so reali sti c that they l ok l i ke photographs. These styl es are so different. Who can predict what pai nti ng styl es there wi l be i n the future? TH E BEST OF MANH ATTAN’S ART GALLERIES The Fri ck Col ecti on (5th Avenue and E. 70th Street) Many art lovers woul d rather vi si t thi s sm al l art gal l ery than any other i n N ew York. H enry Cl ay Fri ck, a rich New Yorker, di ed i n 1919, leaving hi s house, furni ture and art col l ecti on to the Am eri can peopl e. Fri ck had a preference for pertwenti eth century Western painti ngs, and these are wel represented i n thi s excel lent col ecti on. You can al so explore Fri ck’s beauti ful hom e and garden which are wel l worth a visi t. Gugenheim Museum (5th Avenue and 88th Street) Thi s museum owns 5, 000 superb m odern pai nti ngs, scul ptures and drawi ngs. These art works are not al di spl ayed at the sam e tim e. The exhi bi tion i s al ways changi ng. It wil l appeal to those who l ove Impressi oni st and PostIm pressi oni st pai nti ngs. The Guggenheim Museum bui l di ng i s also worl dfamous. When you wal k i nto the gal l ery, you feel as i f you were i nsi de a fragil e, white seashel. The best way to see the pai nti ngs i s to start from the top fl oor and wal k down to the bottom. There are no stai rs, just a ci rcul ar path. The m useum al so has an excel l ent restaurant. Metropol itan Museum of Art (5th Avenue and 82nd Street) The reputati on of this m useum li es i n the vari ety of i ts art col l ecti on. Thi s covers m ore than 5, 000 years of ci vil zati on from m any parts of the worl d, i ncl udi ng Am eri ca, Europe, Chi na, Egypt, other Afri can countries and South Ameri ca. The m useum di spl ays m ore than just the vi sual deli ghts of art. It introduces you to anci ent ways of li vi ng. You can vi si t an Egyptian tem pl e, a fragrant Mi ng garden, a typi cal room in an 18th century French house and m any other special exhi bi ti ons. Museum of Modern Art ( 53rd Street. Between 5th and 6th Avenues) It i s amazi ng that so m any great works of art from the l ate 19th century to the 21st century are housed i n the sam e museum . The col ecti on of Western art i ncl udes pai nti ngs by such fam ous arti sts as Mo, Van Gogh, Picasso and Mati sse. A few words of warni ng: the admi ssi on pri ce i s not cheap and the m useum is often very crowded. Whi tney Museum of Am eri can Art (945 Madi son Avenue, near 75th Street) The Whi tney hol ds an excel lent col ecti on of contem porary Am erican pai nti ng and scul pture. There are no perm anent di spl ays i n this m useum and exhi bi ti ons change al the tim e. Every two years, the Whi tney hol ds a speci al exhi bi ti on of new art by l i vi ng arti sts. The m useum al so shows vi deos and fi lm s by contem porary vi deo arti sts. Uni t 2 A FEW SIMPLE FORMS OF ENGLISH POEMS There are vari ous reasons why peopl e wri te poetry. Som e poem s tel a story or descri be som ethi ng i n a way that wi l gi ve the reader a strong im pressi on. Others try to convey certai n em otions. Poets use m any di ferent form s of poetry to expres them sel ves. In thi s text, however, we wi l l ook at a few of the sim pler forms. Som e of the fi rst poetry a young chi l d l earns i n Engli sh i s nursery rhym es. These rhym es li ke the one on the right (A) are stil l a m on type of chil dren’s poetry. The l anguage i s concrete but im agi nati ve, and they del i ght sm al l chil dren because they rhym e, have strong rhythm and a l ot of repeti ti on. The poem s m ay not m ake sense and even seem contradi ctory, but they are easy to l earn and reci te. By pl ayi ng with the words i n nursery rhym es, chi l dren l earn about l anguage. H ush, li ttl e baby, don’t say a word, Papa’s goi ng to buy you a m ockingbi rd. If that m ocki ngbi rd won’t si ng, Papa’s goi ng to buy you a di am ond ri ng. If that diam ond ri ng turns to brass, Papa’s goi ng to buy you a l ooki nggl ass. If that l ooki nggl ass gets broke, Papa’s goi ng to buy you a bi l ygoat. If that bil lygoat runs away, Papa’s goi ng to buy you another today. O ne of the sim pl est kinds of poems are those li ke B and C that l i st thi ngs. Li st poem s have a fl exi bl e li ne l ength and repeated phrases whi ch gi ve both a patern and a rhythm to the poem . Som e rhym e (l i ke B) whil e others do not (li ke C). I saw a fishpond al on fire I saw a fishpond al l on fi re, I saw a house bow to a squi re, I saw a person twelvefeet hi gh, I saw a cotage i n the sky, I saw a bal oon m ade of l ead, I saw a coffi n drop down dead, I saw two sparrows run a race, I saw two horses m aki ng l ace, I saw a gi rl just l ike a cat, I saw a ki tten wear a hat, I saw a m an who saw these too, And sai d though strange they al l were true. Our first footbal l m atch We woul d have won… i f Jack had scored that goal , i f we’d had just a few m ore m i nutes, if we had trained harde。