关于飘中女权主义_毕业论文(编辑修改稿)

关于飘中女权主义_毕业论文(编辑修改稿)内容摘要：

women bee birds, restrained in the house and busy with the household affairs all day. They manage their husbands‟ houses and educate their children, consuming their intelligence just in various trivia. More miserable are the widows: wearing the black, no flowers, no lace, no jewelry, no free talks, no social activities and even no laughter, just staying at home and mourning daylong. No wonder the author call this as barbarous as “Hindu Settee” (Margaret Mitchell, 2020). Social influences on Margaret Mitchell’s female sense Generally speaking, the author‟s thinking, emotion, and value orientation are always keenly connected with and influenced by social currents. The same is true of Margaret‟s feminism. Through Gone with the Wind, the author depicts a series of outstanding and tough female images, displaying their enormous contribution to the South. Either its language or the characters‟ behaviors are permeated with Margaret‟s intensive female consciousness, which actually keeps up with the times. 4. Feminism reflected by typical female characters Feminism in Scarlett O’Hara Scarlett O‟Hara, the heroine, is an artistic character that has strong, clearcut, and rebellious individuality. As the apple of her parents‟ eyes, she es on the stage from the age of 16 to 28, during which she has married three husbands, been a widow twice, given birth to three babies and also has spared no efforts to revive the family business. When creating this female image, the author places her under the wild social background of American Civil War and the background of the reconstruction after the war, demonstrates her disposition and manners in multiaspects of her life in love, war and family with a full reflection of her winding and changing psychological journey。 thus brings about for the readers a female who is brave enough to face life, unwilling to be indifferent, and persistent in the pursuit of selfvalue. In the patriarchal society, Scarlett opposes to the gender discrimination from the bottom of her heart。 she is neither reconciled to the passive position nor to the failure。 besides, she keeps being herself, and always directly expresses and immediately takes action for what she wants. All of these are the epitomes of her strong sense of feminism. It can be said that she, form beginning to end, is against sexism and the fetters imposed on her by the gender attribution, and does her utmost to look for women‟s rights which are equal to or even more than those of men‟s with her own practices. She is the perfect embodiment of Virginia Woolf‟s “androgyny” thought governed by two kinds of power at the same time: the feminine power, soft on the outside while staunch on the inside。 and the masculine power, tender inside despite a hard shell. She overthrows the images of “angels” or “lamias” in the patriarchal literature, and bees a masculine woman——a woman with men‟s wisdom, indomitable will and wild ambitions. As an image with the ideal personality of “androgyny” which is the deconstruction of gender binary opposition, Scarlett announces Margaret‟s strong protest against malecentered values. Fight against traditional conventions and emphasis on selfconsciousness French famous sociologist Julia Kristeva once said that “God” in patriarchal religion creates the world: he separates light from darkness, land from ocean, and a variety of animals and human beings from himself, putting over the original chaotic connection. Through similar separation, humans are divided into two categories: men and women. Women are departed from men, turning into wives, daughters, mothers, or being the three at the same time with the function of multiplication (Julia Kristeva, 1974). God seldom talks to women and most of religions in western cultures oppress women‟s consciousness. In patriarchal society, God stands up for men, the evidences of which can be traced in the Holy Bible “But I want you to understand that Christ is the head of every man, and the man is the head of a woman, and God is the head of Christ” (Bible, 2020). Therefore women‟s rebellion against “God” who defends male rights is an exhibition of their selfconsciousness. Scarlett, the heroine, is such a woman who is afraid of neither “God” nor men. For Scarlett, religion is just a thing on the lips. When the whole family is praying, her disappointment and sadness have indeed gone with the。