inception_screenplay_盗梦空间电影英文剧本

inception_screenplay_盗梦空间电影英文剧本内容摘要：

? Cobb watches Arthur39。 s PAIN. Mal aims at Arthur39。 s other leg... Cobb SPRINGS for the table, SKIDDING along its polished surface he GRABS his gun SHOOTS ARTHUR BETWEEN THE EYESArthur DROPS the room starts to SHUDDER in a MASSIVE EARTHQUAKE Cobb SPRINGS for the door Arthur39。 s eyes stare at the ceiling, DEAD, and weCUT TO: 9. 16 INT. FILTHY BATHROOM DAY 16 Arthur39。 s EYES OPEN as he WAKES IN THE ARMCHAIR he GRABS at the tubes at his wrist, YANKING them freeNASH What39。 re you doing?! It39。 s too soonFLUID spurts from the tubes as Arthur STRUGGLES with the SILVER CASE on the bathroom floor. ARTHUR I know! We have to reconnect the loop before they wake up! Arthur grabs the case and pushes through the door to the bedroom following the tubes to where they meet Saito39。 s wristSAITO LIES ON THE BED, ASLEEP. Saito STIRS and weCUT TO: 17 INT. JAPANESE CASTLE CORRIDOR NIGHT Cobb LURCHES towards the stairs, as all around him the building BUCKS and HEAVES 18 INT. DINING ROOM, JAPANESE CASTLE CONTINUOUS 18 Saito and the Guards PANIC. Mal walks calmly through the destruction, picks up the envelope and turns to Saito. MAL He was close. Very close. 19 EXT. GRAND STAIRCASE, JAPANESE CASTLE CONTINUOUS 19 Cobb runs up the stairs, pulling out the SECOND ENVELOPE 20 INT. DINING ROOM, CASTLE CONTINUOUS 20 Saito RIPS open the envelope, pulls out sheets of paper. He looks at Mal, PANICKED. He turns to the GuardsSAITO Stop him! Mal, confused, looks at the sheets of paper: THEY ARE BLANK. Mal smiles, amused. 21 INT. GRAND STAIRCASE, CASTLE CONTINUOUS 21 As Cobb runs up the stairs he reads the TYPEWRITTEN SHEETS from his envelope, and weCUT TO: 10. 22 INT. DILAPIDATED HOTEL ROOM DAY 22 9 Arthur OPENS the silver case: a COMPLEX MECHANISM of TUBES, SYRINGES, DOSAGE CONTROLLERS. Arthur39。 s hands fly across the machine39。 s controls as he glances at Saito39。 s STIRRING faceARTHUR I39。 m not going to make it! Wake Cobb! 23 INT. FILTHY BATHROOM CONTINUOUS 23 Nash turns to Cobb. Raises his hand and SMACKS him across the face, and weCUT TO: 24 INT. GRAND STAIRCASE, CASTLE NIGHT 24 Cobb is SMASHED sideways off his feet... 25 INT. DINING ROOM, CASTLE NIGHT 25 The CEILING CRACKS above Saito he looks up as a TON of STONE floods down, CRUSHING HIM and weCUT TO: 26 INT. DILAPIDATED HOTEL ROOM DAY 26 Saito39。 s eyes FLICKER OPEN. AWAKE. 27 INT. FILTHY BATHROOM CONTINUOUS 27 Nash SMACKS Cobb againNASH He won39。 t wake! 28 INT. DILAPIDATED HOTEL ROOM CONTINUOUS 28 Arthur, crouched by Saito, connects the second tube. ARTHUR Dunk him! A CLICK: Arthur looks up to find Saito with a gun to his head and a finger to his lips, gesturing silence... 29 INT. FILTHY BATHROOM CONTINUOUS 29 Nash puts his hand on Cobb39。 s forehead and PUSHES HIM BACKWARDSas Cobb starts to FALL BACKWARDS in the chair we are in SLOMO, and weCUT TO: 11. 30 INT. GRAND STAIRCASE, JAPANESE CASTLE NIGHT 30 Cobb, full speed, picks himself up, scrambling to read the last sheet of paper. He stares at it PUZZLED bullets hit around him as the Guards race up the stairs and weCUT TO: 31 INT. FILTHY BATHROOM DAY 31 Cobb, in SLOMO, hits the WATER head THRASHING as he goes under and weCUT TO: 32 INT. GRAND STAIRCASE, JAPANESE CASTLE NIGHT 32 Cobb glances up from the paper as WATER EXPLODES IN THROUGH ALL THE WINDOWS FLOODING THE ENTIRE HALLCOBB IS SWAMPED BY WATER, SPUN IN ALL DIRECTIONS AT ONCE HE PULLS DEEPER OR FOR THE SURFACE, WE CAN39。 T TELL... HE BREAKS THE SURFACE, GASPING FOR AIR IN THE BATHTUB IN THE 33 INT. FILTHY BATHROOM DAY 33 Cobb39。 s AWAKE, GULPING AIR, getting his bearings. Saito SMASHES into the room, KNOCKING Nash down Cobb LAUNCHES himself out of the tub, FLYING dripping wet across the room 10 to SLAM Saito against the door the gun DROPS, Cobb39。 s fist CONNECTS with Saito39。 s jaw and the struggle is over. 34 INT. DILAPIDATED HOTEL ROOM MOMENTS LATER 34 Cobb, wet but posed, sits, turning Saito39。 s gun in his hand. Nash holds Saito39。 s arms behind him. Outside, the sounds of RIOTING are louder. COBB You came prepared. SAITO I bring the gun because not even my head of security knows this apartment. How did you find it? Arthur, at the window, looks out at the WORSENING VIOLENCE. COBB Hard for a man in your position to keep a love nest totally secret... particularly when there39。 s a married woman involved. SAITO She would never... (CONTINUED) 12. 34 CONTINUED: 34 COBB And yet, here we are. Saito is silent. COBB (CONT39。 D) With a dilemma. SAITO You got what you came for. COBB Not quite. The key piece of information wasn39。 t there, was it, ? Arthur looks over at Cobb, worried ARTHUR They39。 re getting closer, Cobb. And weCUT TO: 35 INT. BULLET TRAIN COMPARTMENT DAY 35 Todashi slips a pair of HEADPHONES over Nash39。 s ears, then pulls out an MP3 player and weCUT TO: 36 INT. DILAPIDATED HOTEL ROOM DAY 36 Saito39。 s eyes are on the floor. COBB You held something back because you 11 knew what we were up to... Cobb uses the barrel of the gun to raise Saito39。 s chin. COBB (CONT39。 D) So why let us in at all? Saito smiles, defiant. VIOLENT NOISES echo up the stairway... SAITO An audition. COBB Audition for what? SAITO It doesn39。 t matter. You failed. COBB I extracted all the information you had in there. (CONTINUED) 13. 36 CONTINUED: 36 SAITO But your deception was readily apparent. And weCUT TO: 37 INT. BULLET TRAIN COMPARTMENT DAY 37 Todashi opens the SILVER BRIEFCASE, revealing the plex mechanism of syringes and controllers FOUR CONTROLLERS。