外文翻译工业设计内容摘要:

ol of individuals in terms of extrinsic behavior, activities, movements and appearances. Via restrictions on codes of individual conduct, the stability and unity of groups and anizations are guaranteed. The core of the system of “rites” signifies that the reigning crux has shifted from “deity” domination to the emperor, which confirms the important institutional alteration from the collegiality of aristocracy groups to autocratic monarchy. However, influenced by the system of “rites”, the traditional Chinese system of creation art was taking shape and evolving further in the form of materialization. The system of “rites” is the restriction and standard of people’s daily conduct, which involves the aspects of perceptual forms of appearances, movements and patterns and so on as an expression of materialization. This aspect is relevant to “pulchritude”. Chinese rites and music include formalized requirements for a series of sequences such as various kinds of movements, conduct, expressions, apparel and colors and so on. In terms of the bination relationship of utensils, there are very clear reflections of this on bronze wares. In Zhou Dynasty, cooking vessels was substituted for drinking vessels as sacrificial vessels, and inscriptions recording feats and conferring titles of nobility on somebody started to turn up the utensils, thereby declaring and intensifying the strength of monarchs’ and aristocrats’ benevolence and benefaction. On that basis, “Nine ding” system of rigid hierarchies came into being gradually. Hierarchical differences were embodied by progressive decreases in order in “Nine ding and eight gui”. Influenced by the system of Chinese rites amp。 music, hues of ancient creation art became symbolic emotional elaboration besides a simple visual and perceptual form. The hue concepts and sequences of the hierarchy of China’s ancient society are greatly embodied in architecture and apparel. Yellow tiles and red walls were mostly used to build imperial palaces of royal households and aristocrats, while their apparel gave priority to the hues of red and yellow. Meanwhile, ordinary residential houses were usually built with black bricks and black tiles, and the civilians’ apparel was mainly made of cloth of blue, brown or other colors. What’s more, there were strict restrictions on the colors of officials’ dress, which means different ranks of officials differed from one another in the styles, hues, materials and trappings of their dress. The yellow color of imperial robes was regarded as the exclusive color of emperors’ dress, and the system of costumes was a ranking system based on colors. In the ancient society, however noble or humble someone was, he or she was definitely graded, and creation art was the material manifestation for hierarchy. From material to varieties and from patterns to mixing colors, there were differences between the noble and the humble, which was unbridgeable. Therefore, the system of Chinese rites amp。 music is the core of China’ thousands of years’ political systems, and this concept is deeply stamped with the brand by China’s traditional system of creation art. There were always patterns which stood for some meaning on traditional Chinese utensils, thereby systematizing utensils via the system of Chinese rites amp。 music so that the bination relationship, ornaments, connotations and functions of utensils could form a system of a deepgoing structure of significance. 2. The traditional Chinese ideology “man is an integral part of nature” “Man is an integral part of nature” is an important ideology raised during the development of traditional Chinese culture, and this reflects harmonious outlooks on society and nature. This ideology is embodied in Confucianism, Taoism and Buddhism. The ethic sequence of Confucianism is Jade Emperor, Yama, monarchs, relatives and teachers, which illustrated the sovereignty of Jade Emperor and Yama. Thus, Confucius put forward the ideologies of “harmony is the most precious”, “joy aims at harmony” and “seeking harmony without uniformity”. This proposed the inter。
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